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  <a href="/2016/blog/6106664/uforia">Uforia</a>&nbsp;
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<p><img src="//images.zoogletools.com/u/395520/807a94cf7714e880ff1958e6fd54687d911fd832/original/uforia-cometary.jpg/!!/b%3AWyJyZXNpemU6NDAweDQwMSJd.jpg" class="size_orig justify_right border_" alt="" height="401" width="400" />I said in my last post that, in lieu of the release of <strong>Left At The Luna Mansion</strong>, I'd be putting out another spoken with-music album in its place (and not one that was mentioned in my <strong>Memories of Tomorrow</strong> January blog post, in which I outlined my up and coming projects; though I did say there that other things would likely sneak in unnanounced and under the wire).</p>
<p> </p>
<p>The new album is named <strong>Uforia</strong>. Here's the track listing:</p>
<p> </p>
<p>01: <strong>Uforia</strong></p>
<p>02: <strong>Binary</strong></p>
<p>03: <strong>Ancient Sands [interlude # 1]<br></strong></p>
<p>04: <strong>Circulating</strong></p>
<p>05: <strong>Aeon This [interlude # 2]<br></strong></p>
<p>06: <strong>Red Room</strong></p>
<p>07: <strong>Exit Earth [interlude # 3]<br></strong></p>
<p>08: <strong>Here To Here</strong> </p>
<p> </p>
<p>Voice / text on all tracks: <strong>Darren Francis</strong></p>
<p>Music: <strong>Darren Francis</strong>, except: <strong>Binary</strong>, music by <strong>Logos</strong>; <strong>Circulating</strong>, music by <strong>Manmademan</strong>.</p>
<p> </p>
<p>I've mentioned previously on this blog that, at the time I was recording the <strong>God Thing</strong> album, I toyed with the idea of doing a spoken-with-music version of <strong>Spell</strong>. I completed <strong>Binary</strong>, and demo sketches of <strong>Red Room</strong> and <strong>Circulating</strong>, but that's as far as it got. <strong>Uforia</strong> is kinda that album, but not really. Round about when I wrote <strong>Circulating</strong>, I was working on a book exploring contemporary and historical mythologies of contact with and intervention by non-human intelligences and entities. That book would have been titled <strong>Uforia</strong>, and consist of separate but interlinked texts, each a self-contained story in itself but all interconnected in terms of characters, overlappying narratives, and themes. I sketched out a dozen or so chapters, and finished a few, but ultimately abandoned it. Why? In large part because many of the texts were too similar, not distinct enough to stand out on their own merits. <strong>Red Room</strong>, <strong>Binary</strong>, and <strong>Circulating</strong> were all intended for this book, as were the text fragments which appear on the <strong>Uforia</strong> album as interludes. Will I ever pick this book up again and write the rest of it? I don't plan to, but you never can tell. In the meantime, the <strong>Uforia</strong> album serves as an adequate enough snapshot.</p>
<p> </p>
<p>I'll put up another post shortly, once the album is available for download. In the meantime, here's a sample track:</p>
<p> </p>
<p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/261865783&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false" style="display: block; margin-left: auto; margin-right: auto;" width="100%"></iframe></p>
<p> </p>
<p>Currently reading: <strong>Islamic State: The Digital Caliphate</strong> - Abdel Bari Atwan</p>
<p>Currently listening: <strong>Collapse</strong> - Drew McDowall</p>

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    <p class="post-info"><span data-time="2016-04-29T17:00:00-07:00" title="April 29, 2016 17:00">04/29/2016</span></p>

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</article>  <article class="post blog-article full-item post-full" data-controller="zoogle-video" data-action="message@window-&gt;zoogle-video#handleVimeoPostMessage">
    
<h2 class="heading-secondary heading-blog alt-font">
  <a href="/2016/blog/6106662/left-at-the-luna-mansion-update">Left At The Luna Mansion update</a>&nbsp;
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<p>I hadn't mentioned it before as I didn't want it to get in the way of my various <strong>Nexus</strong> posts, but I finished a provisional mix of <strong>Left At The Luna Mansion</strong> in mid-March. I had planned to put this album out in late April / early May, though this has been temporarily put on hold as a number of the texts are due to be published in different literary journals, so it'll release after the publication of those. I do however intend to release another album in its place, and will post full details of that anon. In the meantime, here's a previously unheard <strong>Left At The Luna Mansion</strong> track that I recently posted to my <strong>soundcloud</strong> page:</p>
<p>  </p>
<p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/258159438&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false" width="100%"></iframe></p>
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<p>Currently reading: <strong>Fiasco: The American Military Adventure In Iraq</strong> - Thomas E Ricks</p>
<p>Currently listening: <strong>Tomorrow's Harvest</strong> - Boards Of Canada</p>

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    <p class="post-info"><span data-time="2016-04-19T17:00:00-07:00" title="April 19, 2016 17:00">04/19/2016</span></p>

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  <a href="/2016/blog/6106659/logos-nexus">Logos Nexus</a>&nbsp;
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<p>A slightly belated entry; the <strong>Logos</strong> compilation album <strong>Nexus</strong> was released on 21 March 2016, and is available as a free download.</p>
<p> </p>
<p style="text-align: center;"> <iframe height="240" src="https://bandcamp.com/EmbeddedPlayer/album=4184197799/size=large/bgcol=ffffff/linkcol=0687f5/artwork=small/transparent=true/" style="border: 0; width: 400px; height: 373px;" width="320"></iframe></p>
<p style="text-align: center;"> </p>
<p>The track listing has changed a little since my 13 March post; rather than the scattered selection we'd originally chosen, we thought it more appropriate to ensure we include a track from every<strong> Logos</strong> album. We've released six albums so far, quite disparate in style, and totalling almost eight hours of music. Hopefully the <strong>Nexus</strong> tracks will encourage the listener to delve further into the <strong>Logos</strong> cannon; it is after all primarily intended as a 'sampler' and introduction for those unfamiliar with <strong>Logos</strong> and with what we do. Partly by way of a bonus for those who already have the original albums, we've also included a track from our in-progress album <strong>At The Core Of Each Star</strong>, which will be finished and released later this year.</p>
<p> </p>
<p>Currently reading: <strong>Isis: The State Of Terror</strong> - Jessica Stern &amp; J M Berger</p>
<p>Currently listening: <strong>Thunderhead</strong> - AirScuplture</p>

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</article>  <article class="post blog-article full-item post-full" data-controller="zoogle-video" data-action="message@window-&gt;zoogle-video#handleVimeoPostMessage">
    
<h2 class="heading-secondary heading-blog alt-font">
  <a href="/2016/blog/6106657/nexus">nexus</a>&nbsp;
</h2>

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<p>My album <strong>Nexus</strong> is now available for streaming / download; please see below. I'll be adding a separate page to this site regarding <strong>Nexus</strong> shortly; in the meantime, you can find full details in my <a href="http://darrenfrancis.co.uk/2016/nexus__nexus/" data-imported="1">March 13 blog post</a>.</p>
<p>  </p>
<p><iframe height="240" src="https://bandcamp.com/EmbeddedPlayer/album=36455857/size=large/bgcol=ffffff/linkcol=0687f5/artwork=small/transparent=true/" style="border: 0; width: 400px; height: 472px;" width="320"></iframe></p>
<p> </p>
<p><strong>Currently reading:</strong> <em>A Maze Of Death</em> - Philip K Dick (still; although it's a very slim book, I've not had much time for reading over the last few days)</p>
<p><strong>Currently listening:</strong> <em>Climate Of Hunter</em> - Scott Walker</p>

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    <p class="post-info"><span data-time="2016-03-20T17:00:00-07:00" title="March 20, 2016 17:00">03/20/2016</span></p>

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<h2 class="heading-secondary heading-blog alt-font">
  <a href="/2016/blog/6106656/nexus-update">Nexus update</a>&nbsp;
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<p>My album <strong>Nexus</strong>, outlined in my previous post, is ready to go. Exercises like this, in taking tracks from different releases and sequencing them together, are seldom as straightforward as one might assume. One thing I realised in particular was how much louder the <strong>God Thing</strong> mix was compared to <strong>Future Ghosts</strong>. I've learned a lot about music-making, and mixing in particular, since I created <strong>God Thing</strong> back in 2009/2010, and have taken the opportunity not only to adjust the <strong>God Thing</strong> tracks so that they sit better next to <strong>Future Ghosts</strong>, but also to give the whole <strong>God Thing</strong> album a mix tweak. Nothing in the tracks themselves has been changed, but the whole mix sounds a lot smoother now to my ears at least, less jarring, less elements competing with each other for volume. I think it sounds a lot better. I've replaced the version of the album on my <a href="https://darrenfrancis.bandcamp.com/album/god-thing" target="_blank" data-imported="1"><strong>bandcamp</strong> </a>page with the new one. If you've previously downloaded <strong>God Thing</strong>, you may want to download it again (or, or course, you may like it fine just the way it is; up to you).</p>
<p> </p>
<p><strong>Nexus</strong> will be available to download on 21 March. I'll post another update once it's out there.</p>
<p> </p>
<p><strong>Currently reading:</strong> <em>A Maze Of Death</em> - Philip K Dick (taking a break from Islamic State, and from The Third Reich; there's only so much you can read about those subjects in one go before utter despair at humanity sets in, and both have dominated my reading material in the last six months or so).</p>
<p><strong>Currently listening:</strong> <em>Nexus</em> final mix</p>

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<h2 class="heading-secondary heading-blog alt-font">
  <a href="/2016/blog/6106654/nexus-nexus">Nexus / Nexus</a>&nbsp;
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<p>On 21 March I'll be releasing two albums, one spoken word and one by <strong>Logos</strong>. Just to thoroughly confuse matters, both will be named <strong>Nexus</strong>, and both will be compilations; in <strong>Logos</strong>' case collecting tracks from all previous albums, and in the <strong>Darren Francis</strong> case, collecting tracks from <strong>God Thing</strong> and <strong>Future Ghosts</strong>, along with two prevously unreleased pieces. Both will be free to download.</p>
<p> </p>
<p>These albums have the same name as they have the same purpose. They are intended as an introduction to my work for the uninitiated. They will also be ever-evolving; as and when I release future albums, I'll periodically update the <strong>Nexus</strong> track content. Here are the current track listings:</p>
<p> </p>
<p><strong>Darren Francis - Nexus</strong></p>
<p><img src="//images.zoogletools.com/u/395520/1e991c35f8adcfa1946cbc549073a3e86d10cc73/original/dfnewpic1.jpg/!!/b%3AWyJyZXNpemU6MzUweDM1OCJd.jpg" class="size_orig justify_right border_" alt="" height="358" width="350" />01: <strong>He Knows The Use Of Ashes</strong></p>
<p>02: <strong>The Sound</strong></p>
<p>03: <strong>4581 Asclepius</strong></p>
<p>04: <strong>Black Olives</strong></p>
<p>05: <strong>Fissure King</strong></p>
<p>06: <strong>The Puppet Has No Master</strong></p>
<p>07: <strong>God, Love, Money, &amp; Other Snares</strong></p>
<p>08: <strong>1995 [The Empire Never Ended]</strong></p>
<p>09: <strong>Will I Dream</strong></p>
<p>10: <strong>The Movements Of All Mankind</strong></p>
<p>11:<strong> Scarecrow</strong></p>
<p>12: <strong>Cygnusolar</strong></p>
<p>13: <strong>Black Stars Will Have Their Season</strong></p>
<p>14: <strong>K &amp; I [Panthalassa Shoreline]</strong></p>
<p>15: <strong>The Hills Are Alive</strong></p>
<p>16: <strong>Her Constellation</strong></p>
<p> </p>
<p><strong>4581 Asclepius</strong>, <strong>The Puppet Has No Master</strong>, <strong>1995 [The Empire Never Ended]</strong>, <strong>The Movements Of All Mankind</strong>, <strong>Cygnusolar</strong>, <strong>Black Stars Will Have Their Season</strong>, <strong>K &amp; I[Panthalassa Shoreline]</strong>, <strong>Her Constellation</strong>, are taken from the album <strong>Future Ghosts</strong>.</p>
<p> </p>
<p><strong>Black Olives</strong>, <strong>Fissure King</strong>, <strong>God, Love, Money &amp; Other Snares</strong>, <strong>Will I Dream</strong>, <strong>Scarecrow</strong>, <strong>The Hills Are Alive</strong>, are taken from the album <strong>God Thing</strong>.</p>
<p> </p>
<p><strong>He Knows The Use Of Ashes</strong>, <strong>The Sound</strong>, are both previously unreleased, and taken from my in-progress album <strong>All Things Left On Earth</strong>, which I anticipate will be finished later this year. Early versions of both appeared on my <a href="https://soundcloud.com/darrenfrancis" target="_blank" data-imported="1"><strong>soundcloud</strong></a> page a while back, though I've tidied up the mixes since for their inclusion on <strong>Nexus</strong>.</p>
<p> </p>
<p>Here's the <strong>Logos</strong> track listing:</p>
<p> </p>
<p><strong>Logos - Nexus</strong></p>
<p><img src="//images.zoogletools.com/u/395520/e1e0ccd0b1b51047e74117fc1a793c128cac779a/original/freecover.jpg/!!/b%3AWyJyZXNpemU6MzUweDM1MCJd.jpg" class="size_orig justify_right border_" alt="" height="350" width="350" />01: <strong>Everybody Gets Elves</strong></p>
<p>02: <strong>Santa Susana Blues</strong></p>
<p>03: <strong>Shamania [Solstice Prologue]</strong></p>
<p>04: <strong>To Please The Moon</strong></p>
<p>05: <strong>Hungry Knife</strong></p>
<p>06: <strong>Hypogirl</strong></p>
<p>07: <strong>Do You Love?</strong></p>
<p>08: <strong>Gehenna Now [2015]</strong></p>
<p>09: <strong>Hollow Hills Of London</strong></p>
<p> </p>
<p>This was a very difficult listing to compile, since some of my favourite <strong>Logos</strong> tracks are rather long and I had set a fixed running time for the album (80 minutes, enough to burn to a single CD). Hopefully it will encourage listeners to delve further into <strong>Logos</strong>' back catalogue; there's about eight hours of music there in all.</p>
<p> </p>
<p>I'll post an update once both albums are available. As mentioned above, both are intended as 'samplers' of my work and will be free to download.</p>
<p> </p>
<p><strong>Currently reading:</strong> <em>Empire Of Fear: Inside The Islamic State</em> - Andrew Hosken (which isn't as good as the Jason Burke book on the same subject mentioned in my previous post, which is excellent and much recommended. I find Hosken, though readable, rather simple in style and prone to sensationalism in comparison).</p>
<p><strong>Currently listening:</strong> <em>Exploring The Psychedelic</em> - Liquid Sound Company</p>

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<h2 class="heading-secondary heading-blog alt-font">
  <a href="/2016/blog/6106648/a-soundcloud-annoyance">A Soundcloud Annoyance</a>&nbsp;
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<p>Just a quick note to say that I've noticed some of my soundcloud track widgets on this blog don't load properly. My apologies; I'll look into it anon, and if necessary redo the HTML or reload the tracks or use a different site for them. Several of my musician friends have also mentioned problems with soundcloud, so I may have to opt for the latter options.</p>
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<h2 class="heading-secondary heading-blog alt-font">
  <a href="/2016/blog/6106646/of-course-we-don-t-pay-you-you-pay-us">&quot;Of course we don&#39;t pay you; you pay us.&quot;</a>&nbsp;
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  <div class="message"><p>I've been submitting more of my work to literary journals, and have noticed a rather depressing trend creeping in; some journals charging a fee for submissions. So not only are writers scarce-compensated for their work, they are now expected to pay for the privilege of merely being considered. The issue of writers, musicians, and artists struggling not just to make a living from their creations but even to cover their own costs is a longstanding one, and I don't intend to rehearse it again here, save to repeat the old adage that one doesn't call a plummer or car mechanic to one's house, have them do the work then say one won't be paying them as the "experience" and "publicity" and "getting their name out there" should be sufficient.</p><p> </p><p>I'm pragmatic enough to realise that markets ain't what they used to be, and that my work in particular is seldom "mainsteam". That said, I have been published in numerous journals, both in print and online, and have on occasion been paid for my contributions. This is how it should be, but not how it ever uniformly will. I'm a realist; I understand that. But the last thing I'll do is pay journals to even read my writing on the off-chance they may like it and want to use it.</p><p> </p><p>There are a lot of writers out there who want to see their work published. For a few years back in the 1990s I did editorial for a print journal - one which, incidentally, didn't charge a fee and did pay its contributors - and waded through a stupid amount of (often poor) writing. Charging a couple of dollars per submission soon adds up to a healthy sum. And no, I'm not interested in the "literary journals cost a lot of money to produce" argument. In print, perhaps (though considerably less so now, with the easy availability of print-on-demand), but not online. And if your journal costs money to produce, ever heard of grants? Sponsorship? Advertising? Trying to be cutesy and kooky by calling it a "tip jar" and not a fee doesn't endear you to me, either; tipping is optional, granted after the event in acknowledgment of and in gratitude for a service. Besides, you expect writers, without whom you wouldn't even have a journal, to do it for the love and with no remuneration; why not you?</p><p> </p><p>If all this sounds like the bitter ramblings of a jaded writer, it shouldn't. That it even would is perhaps testament to how much these practices have inculcated themselves into the creative culture. I am of course aware that many journals do not charge fees, and that some pay their contributors. Both are commendable.</p><p> </p><p>So what's the solution? Just say no. Boycott any journal that charges a fee. If all writers do that, this frankly insulting practice may at least stand a chance of being curtailed. Favouring journals that pay over those that don't is also a good habit to get into, but not always the most practical. If I like a journal enough, I'm happy for them to publish me even if they don't pay. I keep that one open, and optional, am aware that some people do indeed do it purely for the love; good folks, kindred spirits.</p><p> </p><p><strong>Update 12 September 2025</strong></p><p> </p><p>Nine years later I still stand by this article, though if anything the practice of writers being charged to submit is more widespread now and has become more normalised, just a part of the culture. It really shouldn't be. </p><p> </p><p>I still submit to journals on occasion, but I now have three strict rules.</p><p> </p><p>If you charge a fee, I'm not going to submit.</p><p> </p><p>If you don't have a proper website (a substack, wordpress, blogspot or the like doesn't count) I'm not going to submit.</p><p> </p><p>If you don't pay writers, I'm not going to submit.</p></div>
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    <p class="post-info"><span data-time="2016-03-07T16:00:00-08:00" title="March 07, 2016 16:00">03/07/2016</span></p>

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</article>  <article class="post blog-article full-item post-full" data-controller="zoogle-video" data-action="message@window-&gt;zoogle-video#handleVimeoPostMessage">
    
<h2 class="heading-secondary heading-blog alt-font">
  <a href="/2016/blog/6106645/cygnusolar">Cygnusolar</a>&nbsp;
</h2>

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<p>Track 10 of <strong>Future Ghosts</strong>, and probably my favourite on the album.</p>
<p> </p>
<p><iframe height="240" src="https://bandcamp.com/EmbeddedPlayer/album=14487078/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/track=695689706/transparent=true/" style="border: 0; width: 100%; height: 120px;" width="320"></iframe></p>
<p> </p>
<p style="margin-bottom: 0cm;">epiphany come</p>
<p style="margin-bottom: 0cm;">epiphany go</p>
<p style="margin-bottom: 0cm;">i slap them</p>
<p style="margin-bottom: 0cm;">against the window</p>
<p style="margin-bottom: 0cm;"> </p>
<p style="margin-bottom: 0cm;">see which crack first</p>
<p style="margin-bottom: 0cm;">glass or dream</p>
<p style="margin-bottom: 0cm;">see how solid</p>
<p style="margin-bottom: 0cm;">each render reckons itself</p>
<p style="margin-bottom: 0cm;"> </p>
<p style="margin-bottom: 0cm;">-</p>
<p style="margin-bottom: 0cm;"> </p>
<p style="margin-bottom: 0cm;">by avebury stone</p>
<p style="margin-bottom: 0cm;">i drink myself blank</p>
<p style="margin-bottom: 0cm;">strand of all season</p>
<p style="margin-bottom: 0cm;">bleeding through</p>
<p style="margin-bottom: 0cm;">for solstice sun</p>
<p style="margin-bottom: 0cm;">for ancestor stain</p>
<p style="margin-bottom: 0cm;">for history come</p>
<p style="margin-bottom: 0cm;">i drink</p>
<p style="margin-bottom: 0cm;"> </p>
<p style="margin-bottom: 0cm;">-</p>
<p style="margin-bottom: 0cm;"> </p>
<p style="margin-bottom: 0cm;">sink your bone</p>
<p style="margin-bottom: 0cm;">your mother memory</p>
<p style="margin-bottom: 0cm;">ether go away</p>
<p style="margin-bottom: 0cm;">or go all the way</p>
<p style="margin-bottom: 0cm;"> </p>
<p style="margin-bottom: 0cm;">bring the sun</p>
<p style="margin-bottom: 0cm;">miss speed miss delic</p>
<p style="margin-bottom: 0cm;">second of no</p>
<p style="margin-bottom: 0cm;">still of yes in motion</p>
<p style="margin-bottom: 0cm;"> </p>
<p style="margin-bottom: 0cm;">-</p>
<p style="margin-bottom: 0cm;"> </p>
<p style="margin-bottom: 0cm;">it's only</p>
<p style="margin-bottom: 0cm;">human pain</p>
<p style="margin-bottom: 0cm;">it's just</p>
<p style="margin-bottom: 0cm;">the stink of love</p>
<p style="margin-bottom: 0cm;"> </p>
<p style="margin-bottom: 0cm;">cygnusolar</p>
<p style="margin-bottom: 0cm;">stolen sun</p>
<p style="margin-bottom: 0cm;">shine</p>
<p style="margin-bottom: 0cm;">motherfucker shine</p>
<p> </p>
<p>Musically this draws heavily on the <strong>Logos</strong> track <strong>db00215</strong>, an out-take from the <a href="https://logosnexus.bandcamp.com/album/shamania" data-imported="1"><strong>Shamania</strong></a> sessions which appears on the <strong>Logos</strong> 'unreleased tracks' collection <a href="https://logosnexus.bandcamp.com/album/chasing-a-thread-that-has-no-end" target="_blank" data-imported="1"><strong>Chasing A Thread That Has No End</strong></a>. You can hear that version <a href="https://logosnexus.bandcamp.com/track/db00215" target="_blank" data-imported="1">here</a>.</p>
<p> </p>
<p>The text was written 20-22 June 2014, in Avebury, Wiltshire. I usually spend the solstice period in Avebury, and on this occasion was staying with my good friend Steve Marshall, whose book about Avebury and its history will be published this spring; I'll no doubt post some links to it closer to the time, for those of you who are interested in that sort of thing (as I am).</p>
<p> </p>
<p>Some comments on the text:-</p>
<p> </p>
<p style="margin-bottom: 0cm;">"epiphany come / epiphany go / i slap them / against the window / see which crack first / glass or dream / see how solid / each render reckons itself" - When you've been in the epiphany game as long as I have, you learn to test any new arrival before embracing it. Reminds me of my time on the occult scene in the 1990s; however successful you think your demonic or angelic summoning, and however much belief or reality or paradigm shift you invest in it, treat anything that subsequently occurs or manifests with extreme suspicion until it adequately verifies itself.</p>
<p style="margin-bottom: 0cm;"> </p>
<p style="margin-bottom: 0cm;">"by avebury stone / i drink myself blank / strand of all season / bleeding through / for solstice sun / for ancestor stain / for history come / i drink" - This was indeed written at Avebury stone circle on the summer solstice, 21 June 2014, in the midst of what <strong>McKenna</strong> may have shaken his head at and disparagingly termed a 'heroic dose' of alcohol, and also in the midst of mental collapse; the second, and longest, of my breakdowns that year. Yes, I know alcohol and depression is not a recommended combination; nor, for that matter, is alcohol and anti-depressant medication.</p>
<p style="margin-bottom: 0cm;"> </p>
<p style="margin-bottom: 0cm;">"either go away / or go all the way" - See the <strong>Jefferson Airplane</strong> track <strong>Hey Frederick</strong> (<strong>Volunteers</strong> album, 1969)</p>
<p style="margin-bottom: 0cm;"> </p>
<p style="margin-bottom: 0cm;">"bring the sun" - See the track <strong>Bring The Sun</strong> by <strong>Swans</strong>, from their 2014 album<strong> To Be Kind</strong>. I was listening to this album a great deal at the time.</p>
<p style="margin-bottom: 0cm;"> </p>
<p style="margin-bottom: 0cm;">"miss speed miss delic" - In both their literal senses and in their pharmaceutical connotations.</p>
<p style="margin-bottom: 0cm;"> </p>
<p style="margin-bottom: 0cm;">"it's only / human pain / it's just / the stink of love" - See the <strong>Swans</strong> track <strong>A Little God In My Hands</strong> (<strong>To Be Kind</strong> album, 2014; see also note above): 'Oh universe you stink of love'.</p>
<p style="margin-bottom: 0cm;"> </p>
<p style="margin-bottom: 0cm;">"cygnusolar / stolen sun / shine /motherfucker shine" - Aside from the “by Avebury stone” section (which, as noted above, was indeed written by Avebury stone), the whole of the <strong>Cygnusolar</strong> text was written while sat in the garden of my friend Steve Marshall's house in Yatesbury, Wiltshire*, at the onset of a mental breakdown, listening to much <strong>Swans</strong> and hefty 60s psych. Sometimes madness is necessity, the only feasible response to the circumstances in which one finds one's mind. Fields budding and fecund in every direction, mama sun beating. I need to ditch my accessories; cigarette in left hand, beer can in right, screen before me and headphones in my ears. At one point I imagined a perfect experience of communion with the ineffable, an ascended moment that would be immaculately complemented by these things. I was wrong. We don't get where we should be by acquiring, by adding to what we currently are; we get there by stripping away.</p>
<p style="margin-bottom: 0cm;"> </p>
<p style="margin-bottom: 0cm;">* = It was also in Steve's house and garden (and in the Red Lion, Avebury) that I mixed the <strong>Future Ghosts</strong> album exactly a year later, over a long weekend at summer solstice 2015.</p>
<p style="margin-bottom: 0cm;"> </p>
<p style="margin-bottom: 0cm;"><strong>Currently reading:</strong> <em>The Holocaust</em> - Martin Gilbert</p>
<p style="margin-bottom: 0cm;"><strong>Currently listening:</strong> <em>Unknown Pleasures</em> - Joy Division (one of my favourite ever albums, though for purely personal reasons <strong>Closer</strong> still has the edge for me as best <strong>Joy Division</strong> album)</p>

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<h2 class="heading-secondary heading-blog alt-font">
  <a href="/2016/blog/6106642/her-is-all">Her Is All</a>&nbsp;
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<p>Returning to my track-by-track of <strong>Future Ghosts</strong>; <strong>Her Is All</strong>.</p>
<p> </p>
<p><iframe height="240" src="https://bandcamp.com/EmbeddedPlayer/album=14487078/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/track=1154012521/transparent=true/" style="border: 0; width: 100%; height: 120px;" width="320"></iframe></p>
<p> </p>
<p style="margin-bottom: 0cm;">her mass</p>
<p style="margin-bottom: 0cm;">her spin</p>
<p style="margin-bottom: 0cm;">her point</p>
<p style="margin-bottom: 0cm;">her pull</p>
<p style="margin-bottom: 0cm;">her burn</p>
<p style="margin-bottom: 0cm;">her fuse</p>
<p style="margin-bottom: 0cm;">her spike</p>
<p style="margin-bottom: 0cm;">her light</p>
<p style="margin-bottom: 0cm;">her arc</p>
<p style="margin-bottom: 0cm;">her surge</p>
<p style="margin-bottom: 0cm;">her tide</p>
<p style="margin-bottom: 0cm;">her turn</p>
<p style="margin-bottom: 0cm;">is all</p>
<p style="margin-bottom: 0cm;"> </p>
<p style="margin-bottom: 0cm;">her blood</p>
<p style="margin-bottom: 0cm;">her salt</p>
<p style="margin-bottom: 0cm;">her cell</p>
<p style="margin-bottom: 0cm;">her bone</p>
<p style="margin-bottom: 0cm;">her wave</p>
<p style="margin-bottom: 0cm;">her word</p>
<p style="margin-bottom: 0cm;">her grain</p>
<p style="margin-bottom: 0cm;">her set</p>
<p style="margin-bottom: 0cm;">her swoon</p>
<p style="margin-bottom: 0cm;">her breath</p>
<p style="margin-bottom: 0cm;">her rain</p>
<p style="margin-bottom: 0cm;">her thorn</p>
<p style="margin-bottom: 0cm;">is all</p>
<p style="margin-bottom: 0cm;"> </p>
<p style="margin-bottom: 0cm;">her glass</p>
<p style="margin-bottom: 0cm;">her rust</p>
<p style="margin-bottom: 0cm;">her dust</p>
<p style="margin-bottom: 0cm;">her chrome</p>
<p style="margin-bottom: 0cm;">her tower</p>
<p style="margin-bottom: 0cm;">down</p>
<p style="margin-bottom: 0cm;">her smoke</p>
<p style="margin-bottom: 0cm;">her steel</p>
<p style="margin-bottom: 0cm;">her gloss</p>
<p style="margin-bottom: 0cm;">her click</p>
<p style="margin-bottom: 0cm;">her now</p>
<p style="margin-bottom: 0cm;">her tight</p>
<p style="margin-bottom: 0cm;">is all</p>
<p style="margin-bottom: 0cm;"> </p>
<p style="margin-bottom: 0cm;">her ghost</p>
<p style="margin-bottom: 0cm;">her drift</p>
<p style="margin-bottom: 0cm;">her fossil</p>
<p style="margin-bottom: 0cm;">wild</p>
<p style="margin-bottom: 0cm;">her faery</p>
<p style="margin-bottom: 0cm;">fade</p>
<p style="margin-bottom: 0cm;">her grievous</p>
<p style="margin-bottom: 0cm;">light</p>
<p style="margin-bottom: 0cm;">her meat</p>
<p style="margin-bottom: 0cm;">her fold</p>
<p style="margin-bottom: 0cm;">her dear</p>
<p style="margin-bottom: 0cm;">remains</p>
<p style="margin-bottom: 0cm;">is all</p>
<p style="margin-bottom: 0cm;"> </p>
<p style="margin-bottom: 0cm;">This text dates from March 2014, and largely explains itself. Several lines from the last section borrow from the art of <strong>Heather Baker / intextremis</strong> - <a href="http://inextremiss.deviantart.com/" data-imported="1">http://inextremiss.deviantart.com/</a>. I've been a fan of her work for a while and its often been a source of inspiration.</p>
<p style="margin-bottom: 0cm;"> </p>
<p style="margin-bottom: 0cm;"><strong>Currently reading:</strong> <em>Berlin The Downfall 1945</em> - Antony Beevor</p>
<p style="margin-bottom: 0cm;"><strong>Currently listening:</strong> <em>Peepshow</em> - Siouxsie &amp; The Banshees</p>

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    <p class="post-info"><span data-time="2016-02-21T16:00:00-08:00" title="February 21, 2016 16:00">02/21/2016</span></p>

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